White Heat Cold Logic: British Computer Art, 1960–1980, edited by Paul Brown, Charlie Gere, Nicholas Lambert, and Catherine Mason

Technological optimism, even utopianism, was widespread at midcentury; in Britain, Harold Wilson in 1963 promised a new nation “forged from the white heat of the technological revolution.” In this heady atmosphere, pioneering artists transformed the cold logic of computing into a new medium for their art and played a central role in connecting technology and culture. White Heat Cold Logic tells the story of these early British digital and computer artists—and fills in a missing chapter in contemporary art history.







$44.95, hardcover
568 pages, 63 black-and-white images
The MIT Press (Leonardo Books), 2009

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