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Colour Flight
Stills Collection; New Zealand Film Archive/Ngä Kaitiaki O Ngä Taonga Whitiähua



Len Lye in front of his painting The King of the Plants Meets the First Man (1936).
Photographer: Erik Shiozaki. Stills Collection; New Zealand Film Archive/Ngä Kaitiaki O Ngä Taonga Whitiähua

Alternative Visions

Tuesday, October 23, 2007
7:30 p.m. Free Radical: The Films of Len Lye
Len Lye (U.K./U.S., 1929–58)

Introduced by Mark Williams


Mark Williams is exhibitions manager at the New Zealand Film Archive.

Born in New Zealand in 1901, Len Lye was largely self-educated, and early on studied Aboriginal, Samoan, and Maori indigenous art and dance, which influenced his pioneering direct-animation films. Lye was a committed doodler, whether on film or paper or with bits of steel, and saw this as a means of accessing the "old" or "primitive" brain. "My film stuff is old brain stuff. It is nothing to the new brain and literature. It is to do with the body and kicking around." And kick around he did—scratching, painting, and batiking directly on the filmstrip, ingeniously creating vibrant and dazzling handmade films without a camera. Lye's images pulsate with energy and vitality, a "sensory ballet" of rhythm. This program offers a chronological survey of the artist's career from 1929's Tusalava to 1958's Free Radicals.

Tusalava (1929, 9 mins @ 16 fps, Silent, B&W). A Colour Box (1935, 4 mins, Color). Kaleidoscope (1935, 4 mins, Color). The Birth of a Robot (1936, 7 mins, Color). Rainbow Dance (1936, 5 mins, Color). Trade Tattoo (1937, 5 mins, Color). N. or N.W. (1937, 7 mins, B&W). Colour Flight (1938, 4 mins, Color). Swinging the Lambeth Walk (1939, 4 mins, Color). Musical Poster #1 (1940, 3 mins, Color). Color Cry (1952–53, 3 mins, Color). Tal Farlow (1950s, revised 1980, 2 mins, B&W). Rhythm (1957, 1 min, B&W). Free Radicals (1958, revised 1979, 4 mins, B&W). Particles in Space (1957, revised 1979, 4 mins, B&W)

• (Total running time: 66 mins, 16mm.) Free Radical: The Films of Len Lye was compiled by Roger Horrocks for the New Zealand Film Archive and The Len Lye Foundation. With thanks to Andrew Lampert, Anthology Film Archives, and Mark Williams, New Zealand Film Archive.