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Japanese Silent Cinema and the Art of the Benshi

Sunday, September 15, 2002
6:00 p.m. The Cheat
Cecil B. De Mille (U.S., 1915)

Restored Print!

Benshi Performance by Midori Sawato

The Cheat was one of the most visually sophisticated and elegant silent films ever made, benefiting from actor Sessue Hayakawa's economical use of gesture. But at the time of its release it was notable above all for its sexually charged content. A society lady (Fanny Ward) gambles away Red Cross funds and borrows from a wealthy Japanese man (Hayakawa) on the implied promise of becoming his mistress. This she refuses, and he brands her with a red–hot iron from his collection. Retribution, honor preserved—these themes follow, but not precisely as one might expect. The character of the Asian became itself a "brand"—a source of sexual menace at once feared and desired. Initially banned in several states, the film was condemned by the Japanese–American community. In Japan, although Hollywood movies were popular and other Hayakawa pictures were imported, The Cheat was not released.

• Written by Hector Turnbull, Jeanie Macpherson. Photographed by Alvin Wyckoff. With Sessue Hayakawa, Fanny Ward, Jack Dean, James Neill. (62 mins, Silent, Recorded musical accompaniment by Matsuda Film Productions, B&W/Tinted, 35mm, Courtesy George Eastman House)

Preceded by short:

A Buddhist Mass for Goemon Ishikawa (Ishikawa Goemon no hoji) (Torajiro Saito, Japan, 1930). Benshi Performance by Midori Sawato. Miya Masaoka on Koto. This supernatural romp outlines the comic adventures of a modern-day descendant of Goemon Ishikawa, a famous Edo-period robber. Tomio Aoki, who plays a child ghost, was better known as Tokkan Kozo in the films of Yasujiro Ozu.

(21 mins, Silent with Japanese intertitles and English subtitles, B&W, 35mm, Courtesy National Film Center, Tokyo)

(Total running time: 83 mins)