La Pointe Courte

BAMPFA Collection Print

featuring

Silvia Monfort, Philippe Noiret, Inhabitants of La Pointe Courte,

Historian Georges Sadoul called Agnès Varda’s 1955 debut, made outside the French film industry on a shoestring budget, “truly the first film of the nouvelle vague”; its innovative editing, location shooting, and use of nonprofessional actors seem as radical now as they did then. A sun-scarred Mediterranean fishing port is both background and plot element for a fractured tale of reunited lovers, inspired by William Faulkner’s The Wild Palms. For Varda the locale is as important as the plot, and her camera divides its time evenly between the lovers’ alienated monologues and more important things, like the way sunlight plays across white stones, and how villagers go about their lives amidst laundry-hung alleyways, boat jousts, and town dances. The film’s jarring, alienating editing (by Alain Resnais) conjures a world where public and private, love and society, are as bound together—and as far apart—as sun and shadow.

Jason Sanders
FILM DETAILS 
Screenwriter
  • Agnès Varda
Cinematographer
  • Louis Stein
Language
  • French
  • with English subtitles
Print Info
  • B&W
  • 35mm
  • 90 mins
Source
  • BAMPFA
Permission
  • Janus Films

Event Accessibility

If you have any questions about accessibility or require accommodations to participate in this event, please contact us at bampfa@berkeley.edu or call us at (510) 642-1412 (during open hours) with as much advance notice as possible. More information on accessibility services.